In 1917, Sergei Dyagilev’s Russian Seasons experienced difficult times: disappearing sponsors, lack of money, the collapse of touring plans … In Rome, Russian Ballet was preparing the premiere of Parade by Eric Sati staged by Leonid Myasin. Artist librettist Jean Cocteau offered his idol – not very popular among the masses, but well-known to professionals Pablo Picasso.
The choice was successful. In addition to the scandal at the Paris premiere and textbook status in the history of the theater “Parade” remembered secular gossip. Continue reading